A house at dusk: a dark cantilevered volume above a warmly lit timber-lined entrance.

Architecture / Interiors / Spatial design

WE DESIGNSPACESWITH ASENSE OFBELONGING.

STUDIO ONEGOIN

Est. 2023 · Bengaluru 560064

MATERIAL,LIGHT, ANDTHE TIMEOF DAY.

Studio Onegoin works on houses, hospitality, workplace and retail. The work is quiet, built to last, and organised around the two things a drawing cannot fake — how a place is made, and how it feels at four in the afternoon.

Established 2023 · Yelahanka, Bengaluru 560064, Karnataka, India

Selected work

A COLLECTIONOF SPACES.

Shaped by material, light and context. One at a time.

5 projects · 2025—2026

A contemporary residence shaped by light, warmth, and softened geometry.

Form The residence is composed as a series of clean, interlocking volumes, softened by curved edges and deep horizontal projections. Rather than creating a rigid façade, the rounded openings and layered balconies give the elevation a more fluid character while establishing a distinct identity at the street.

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Location
Bengaluru, India
Year
2025
Type
Architecture
Area
4350 sq ft

A warm contemporary home shaped by continuity, quiet detail, and everyday comfort.

The interiors are conceived as a connected sequence rather than a collection of isolated rooms. In the living area, vertical timber elements create a subtle threshold towards the dining and kitchen without completely closing them off, allowing views, light, and movement to continue naturally through the home.

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Location
Attibele, Bengaluru
Year
2026
Type
Interiors
Area
3,100 sq ft

A contemporary family home where warmth, simplicity, and tradition flow together.

The home is designed around a consistent visual language that moves naturally from one floor to the next. Warm timber, soft white surfaces, vertical detailing and restrained neutral tones recur throughout the spaces, creating continuity without making every room feel identical. The result is a home that reads as one composition while allowing individual spaces to develop their own character.

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Location
Bengaluru
Year
2025
Type
Interiors
Area
2400 sq ft

A contemporary residence composed through frames, vertical rhythm, and warm material contrasts.

The façade is conceived as a collection of interlocking frames rather than a single flat elevation. Projecting white volumes, recessed balconies, dark outlines and a taller central element establish hierarchy across the frontage, giving the residence depth while maintaining a clear overall composition.

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Location
Bengaluru, India
Year
2025
Type
Architecture
Area
2400 sq ft

A house organised around a void, and the weather that fills it.

The site was a long, narrow plot hemmed in on three sides — the kind of plot that usually produces a corridor of rooms with windows onto a neighbour's wall. Instead we removed the middle of the house and gave it away.

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Location
Bengaluru, India
Year
2026
Type
Architecture
Area
6,400 sq ft

Material / Detail / Light

THE PARTSYOU TOUCH.

A practice is legible at close range. These are the surfaces, junctions and pieces of daylight that the drawings exist to protect.

  • Black limestone — Honed, never polished. It takes a footfall better than anything else we specify.

    MATERIAL

    Black limestone

    Honed, never polished. It takes a footfall better than anything else we specify.

  • Teak screen — Vertical battens at 45 mm centres. The shadow is the pattern; the timber is incidental.

    DETAIL

    Teak screen

    Vertical battens at 45 mm centres. The shadow is the pattern; the timber is incidental.

  • Board-formed concrete — Formwork reused four times so the grain fades across the pour.

    MATERIAL

    Board-formed concrete

    Formwork reused four times so the grain fades across the pour.

  • Blackened brass — Chemically blackened and left unlacquered, so it records ten years of hands.

    FINISH

    Blackened brass

    Chemically blackened and left unlacquered, so it records ten years of hands.

  • Cast stone — Three moulds, rotated, laid to a rhythm the eye cannot quite resolve.

    MATERIAL

    Cast stone

    Three moulds, rotated, laid to a rhythm the eye cannot quite resolve.

  • Morning, plaster — Lime plaster left untreated. It is the only surface that changes colour by the hour.

    LIGHT

    Morning, plaster

    Lime plaster left untreated. It is the only surface that changes colour by the hour.

  • Oiled oak joinery — Built in sections, jointed on site, stopped short of the ceiling on purpose.

    DETAIL

    Oiled oak joinery

    Built in sections, jointed on site, stopped short of the ceiling on purpose.

  • Blackened steel — Framing at 25 mm — deliberately thinner than it looks like it ought to be.

    DETAIL

    Blackened steel

    Framing at 25 mm — deliberately thinner than it looks like it ought to be.

The studio

WE BELIEVEGOOD SPACESARE FELTBEFORE THEYARE EXPLAINED.

A quiet corner of the studio: a plastered wall in raking afternoon light.

Studio Onegoin is an architecture and interior design practice based in Yelahanka, Bengaluru. We are interested in the ordinary intelligence of building — how a wall meets the ground, how a room holds the afternoon, how a threshold decides who you become when you cross it.

The studio works at every scale at which those questions still matter: a house, a restaurant, a workplace, a shopfront, a single brass handle. We draw slowly, build carefully, and stay on site until the last joint is right.

  • Architecture
  • Interior Design
  • Spatial Strategy
  • Material Design
  • Furniture & Detail
  • Renovation

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How we work

Four stages, and the long one in the middle.

  1. 01

    UNDERSTAND

    We begin on site, in silence, at different hours. Context, people, orientation, the way the light arrives and what the brief is really asking for underneath what it says.

  2. 02

    EXPLORE

    Concepts tested as models and drawings rather than renders. Material boards assembled in daylight. Spatial possibilities argued out at full size where we can.

  3. 03

    RESOLVE

    Drawings, junctions, tolerances, coordination. This is the longest and least visible part of the work, and it is where a building either becomes precise or does not.

  4. 04

    REALIZE

    On site with craftsmen, consultants and contractors. Mock-ups before commitments, samples before orders, and a studio presence until the last detail is closed.

A section drawing being worked over by hand at the studio table.
Junctions are drawn at full size before anything is ordered.
A construction site at slab stage, seen from above.
Site, week eleven.

Journal

NOTES FROMTHE STUDIO.

Writing on materials, light, drawing and the ordinary intelligence of building.

5 entries

Contact

HAVE A SPACEIN MIND?LET’S TALK.

Studio

YelahankaBengaluru 560064Karnataka, India

New enquiries

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